The Grand Staircase is not just an entryway; it's an aesthetic masterpiece crafted by Charles Garnier. The scale and grandeur were designed to captivate visitors as they entered the venue, embodying the opulence expected by Parisian high society. Garnier's vision included intimate balconies designed for women to showcase their attire, reflecting the social customs of the 19th century.
Hidden from public view, the Dance Floor serves as a training ground for the aspiring ballerinas of the Paris Opera. Here, they hone their craft before stepping onto the main stage, but not without a sense of ranking and tradition. The term 'little rats' refers to the young ballet students, evoking the image of their crafting ballet slippers that echo during practice, highlighting their eagerness to perform.
The opera boxes of the Paris Opera House were once the epicenter of social interaction, where the audience was as much a part of the spectacle as the performers. The historical significance of maintaining house lights has faded, yet the tradition of hosting remains vital to the experience. Unique arrangements, like the private lift for Prince Aaan Thei, showcase the Opera's efforts to cater to its elite patrons, while the recent refurbishments reflect a modern commitment to accessibility.
In a compelling exploration of the Paris Opera House, author Claudin Kodi takes us on a behind-the-scenes tour of this world-renowned monument. The journey begins at the Grand Staircase, a magnificent entry point that sets the tone for the architectural wonders that lie within. Designed by Charles Garnier, the Grand Staircase was intended to impress, allowing high society of the time to see and be seen. Interestingly, Garnier found himself in a politically delicate position during the inauguration, having to pay for his seat due to the shift in patronage following the death of Napoleon III. As the tour progresses, we step behind the scenes to the Dance Floor, an exclusive area where ballet students prepare before taking the stage. This hidden space, usually off-limits to the public, is a hive of activity where dancers warm up, maintaining a strict hierarchy that begins with the ‘little rats,’ a term affectionately used for ballet students. This whimsical nickname harkens back to the sound of their slippers echoing on wooden floors of the rehearsal rooms, embodying the innocent ambition of young dancers striving to make it big. Next, we venture into one of the opera boxes, where the social dynamics of performances unfold. Historically, audience interactions were as theatrical as the performances on stage, with the house lights kept on for viewers to showcase their attire. It was not uncommon for men to leave their boxes to engage with ballerinas during the intermissions, while women entertained their guests. A notable feature of this era is the bespoke lift that was constructed for Prince Aaan Thei, a devoted opera aficionado. This hydraulic lift was crafted to accommodate his mobility needs, ensuring he could enjoy his performances without the strain of stairs. Today, this unique feature has been restored for wheelchair users, underscoring the Opera House’s commitment to inclusivity.Why are there these ugly golden car tires on the Staircase?😳😳 I hope they are not permanent….
Those Golden Tyres in the middle, I dont know that they are serving for, but they are super-tacky