Toronto's fiberglass moose statues were introduced in 2000, the brainchild of George Cohan and Mel Aspin. Collaborating with local corporations, 326 unpainted moose were strategically placed around the city. Artists were commissioned to creatively transform these statues, which served both decorative and charitable purposes, benefitting several local foundations.
As Dylan Duo revisits the moose phenomenon, it reveals a split opinion among Torontonians about the statues. Polls from sources like the Toronto Star indicated that around 68% of respondents had reservations about the moose project. This division highlights the subjective nature of public art and how whimsical elements can evoke differing sentiments.
With only 10 original moose visible today, their legacy prompts questions about public art sustainability. One moose found at Global News is a remnant of this nostalgic project, although its antlers have mysteriously disappeared. This invites new conversations about artwork maintenance and the potential revival of similar initiatives in Toronto.
In the year 2000, Toronto witnessed the unveiling of a unique art initiative that would leave a lasting impression on its landscape: the fiberglass moose statues. Spearheaded by community leaders George Cohan and Mel Aspin, this project involved the release of 326 unpainted moose statues into the city, funded by various corporations. These companies either hired professional artists or invited their employees to paint and decorate the moose, transforming them into vibrant expressions of creativity. This initiative not only enhanced public spaces but also supported local charities and the Canadian Olympic Foundation by directing the funds raised towards meaningful causes. As the city nears the 25th anniversary of this iconic project, content creator Dylan Duo encourages a nostalgic reflection on the moose phenomenon. Many Torontonians fondly remember childhood experiences of riding or interacting with these quirky statues. For those who may not be familiar with the moose's history, this retrospective offers insight into why these statues have sparked conversations and varied opinions among the populace over the years. Interestingly, only 10 of the original moose statues remain publicly visible today, while the rest have either gone missing or are in storage. One intriguing detail is that one of the moose can be found at Global News, which raises questions about its maintained presence and condition. Its once vibrant antlers are now absent, which might be attributed to wear and tear or mischievous interactions from the public. Going forward, as we celebrate this artistic endeavor, it begs the question: could the revival of such projects bring more whimsy and conversation to Toronto's streets?Thanks! For once you didnt condemn a uniquely Canadian aspect of our nation identity into something that is terrible. It may be archaic nonsensical to many but the noble Canadian Moose is a beloved recognizable iconic representation that does NOT need to be changed OR re-envisioned into an agenda driven woke cultural virtue-signaling weird monstrosity. We love OUR MOOSE, so leave them be.